Contemporary thinkers expand the discussion by incorporating cultural, institutional, and experiential dimensions. For instance, Arthur Danto reexamined art’s evolution and the role of interpretation in shaping beauty, suggesting that aesthetic judgment is intertwined with historical context. George Dickie’s institutional theory of art highlights how cultural frameworks and institutions define and influence beauty standards. Richard Shusterman, through his work on somaesthetics, argues that bodily experience and personal engagement significantly shape our perception of beauty, merging subjective experience with critical reflection. These approaches illustrate that modern discussions of beauty move beyond traditional subjectivity to embrace complex cultural and embodied factors.